The Meet Cute - $65
If you’re brand new to screenwriting and want to see if your script makes any sense, or if you’re finished (hopefully) the last of many, many drafts and just want a pair of fresh eyes on your script, the Meet Cute might be for you.
You’ll receive:
One page of notes and overall impressions.
The script’s overall strengths and weaknesses.
General feedback on story, structure, and characters.
* $65 for scripts 100 pages and under.
An additional $5 for every 10 pages after that.
The Midpoint - $80
Now we’re getting into the weeds. Our Midpoint services are recommended for writers looking for deeper, more specific development notes.
You’ll receive:
2-3 pages of notes, including overall impressions and specific, actionable notes by section.
A Pass, Consider, or Recommend rating.
* $80 for scripts 100 pages and under.
An additional $5 for every 10 pages after that.
The Climax - $100
The Climax is where the rubber meets the road. If you want to dive deep and make your screenplay the absolute best it can be, this is the service for you.
4-5 pages of detailed notes.
In-depth story analysis including structure, story beats, and character arcs.
A noted version of your screenplay, including proofreading and stream of consciousness thoughts and suggestions.
Questions and actionable notes to help you kickstart and work through your next draft.
* $100 for scripts 100 pages and under.
An additional $5 for every 10 pages after that.
Last Looks: $50-$75
If you’ve got a screenplay that’s close to ready and just want one final polish on it before you submit it to competitions, festivals, or managers, this is the service for you.
Proofreading
Formatting
Actionable notes, cuts, and suggestions.
Last Looks will be delivered as a noted PDF copy of your script. No guarantee for a notes page count. It’ll be as long as it needs to help you finish your script strong!
* $75 for features 100 pages and under.
An additional $5 for every 10 pages after that.
* $50 for half-hour pilots. $65 for hour-long.
Pilot Program: $40 - $60
But what about TV?
Yes! I also offer notes on your television pilots.
1-2 pages of actionable notes.
Feedback on structure, story, and characters.
A Pass, Consider, or Recommend Rating.
* $40 for half-hour. $60 for hour-long.
Bonus Material
Logline Services: $10
Nothing gets your script read or tossed in the trash faster than a logline. Let me help you craft a logline that will help get your script read.
Treatment Notes: $25
Got an outline or a treatment that needs reviewing before you go to pages? Let me review it and give you notes so you’re ready to dive into that first draft.
* $25 for treatments 20 pages or less.
An additional $1 for every 5 pages after that.
One-On-One Coaching: $40 - $75
Want to discuss the notes you’ve received? Want to talk about next steps for you as a writer? Or maybe how to get your screenplay in front of people who can make a difference in your career from someone who’s been there and done that? Want to practice and receive notes on a verbal pitch? Or maybe you want to schedule some one-on-one screenwriting coaching?
$75 by itself, or $40 when added to any other service.
* Turnaround time is based on availability and on a first-come, first-served basis. After all, I’m only one person.
For an additional $20, move your purchased services to the top of the queue with a guaranteed three-day turnaround.
Let’s Do This.
Message me with what plan you’re interested in, and we can get started!
TESTIMONIALS
“Brian T Arnold puts the ‘T’ in story and structure and general tenacity in this challenging and sometimes illogical industry. Having worked with him on multiple features as a writer, he has a strong handle on character, structure, and dialogue and has been a stellar partner creatively.”
Paul Davidson
Producer, 27th Hour Productions
“For the last ten years Brian has been my go to first stop resource for feedback and script coverage. Whether it’s fun additions, helpful changes, or just smart cuts, I trust Brian to give me a thorough, thoughtful read and notes that will help make my next draft better in every possible way. Use him! You won't regret it.”
Dennis Curlett
Screenwriter/Director, “Paradox Lost”
“Brian is one of my favorite people to trade story notes with. He always brings such clear, thoughtful insight that makes the work better. The characters he writes are so grounded and real, even when they’re living in these unique, fully imagined worlds he creates. He just gets story, plain and simple. I always look forward to his feedback.”
Lauren Meyering
Screenwriter/Director, “Horsegirls”
"I've been in a writer's group with Brian T. Arnold for over six years, and the notes and criticism he has provided me over that time have been invaluable in shaping my career, writing style, and outlook on the profession. You're in great hands, go and place an order!!"
Jeff Bower
Screenwriter & Playwright, “The Impossible Task of Today”
“Brian is my go-to when looking for notes on any script: pilots, features, comedy, or drama. His understanding of both character and structure is beyond compare, and his suggestions always send my writing to the next level.
Nikki Taguilas
Animation Writer, “Dora” & “The Casagrandes”
“Brian is one of the most talented writers I've worked with. His knack for story structure and character, along with his ability to decipher what works from what's lacking in a script, has taught me a lot and helped me up my own game as a writer.”
Zack Imbrogno
Writer/Producer, “Slayers”
“We love everything Brian writes. He tries so hard and honestly he could use the money.”
Tim & Mary Alice Arnold
Brian’s parents